Mohamad Fleih Hassan Al-Janabi (Assistant Professor)
PhD in English Literature & Literary Theory
English - Arts
mohamedfleih@uoanbar.edu.iq
Personal Data
Full Name: Mohamad Fleih Hassan
Date of Birth: 1975
Marital Status: Married
Religion: Muslim
General Specialty: English Literature
Specific Specialty: English Poetry-Literary Theory
Position: Teaching-staff member
Degree: PhD.
Date Obtained: 11-5-2017
Rank: Associate Professor
Date Obtained: 16-5-2012
Work Address: College of Arts- University of Anbar
E-mail: mohamedfleih@uoanbar.edu.iq
No. |
Paper Title |
Journal |
Authors |
Year |
1 |
Reading Baraka’s Aggressive Poetic Language in Black Art in light of Gates’ The Signifying Monkey. |
Journal of Critical Reviews (Scopus-indexed), 7 (15), 5168-5175. doi:10.31838/jcr. 07.15.685 |
Shamam Ismail Otaiwi & Dr. Mohamad Fleih Hassan |
2020 |
2 |
UNFRAMING WOMEN FIGURES IN ANNE SEXTONíS THE FIERCENESS OF FEMALE &CIGARETTES AND WHISKEY AND WILD, WILD WOMEN. |
Journal of Critical Reviews, 7(15), 5305-5311. |
Nooralhuda A. Fahad & Dr. Mohamad Fleih Hassan |
2020 |
3
|
INANIMATE CHARACTERS IN SAMUEL BECKETT’S ENDGAME |
Anbar University Journal of Languages and Literature, 29, 255-266 |
Dr. Elaff Ganim Salih & Dr. Mohamad FleihHassan |
2019 |
4 |
Rape Talks Louder Than Guns: Feminizing Men via Wartime Rape in Judith Thompson’s Palace of the End |
Pertanika Journal of Social Sciences and Humanities (JSSH). (Scopus) Vol.26(1)March |
Elaff Ganim Salih, Hardev Kaur, Ida Baizura & Mohamad Fleih Hassan |
2018 |
5 |
David Hare’s Stuff Happens: A Dramatic Journey of American War on Iraq |
International Letters of Social and Humanistic Sciences, 2016. Vol. 67, pp 57-69.
|
Elaff Ganim Salih, Hardev Kaur, Mohamad Fleih Hassan |
2016 |
6 |
The Failure of the Symbolic Order in Shaping the Female Subject in Adrienne Rich’s Aunt Jennifer’s Tigers |
Malaysian Journal of Languages and Linguistics. 5(1), 1-9. |
Hassan, M. F., Rosli bin Talif, & Hardev Kaur |
2016 |
7 |
A Symbolic Reading of Adrienne Rich’s “An Unsaid Word” |
International Letters of Social and Humanistic Sciences, 68, 2016, 55-60. |
Mohamad Fleih Hassan, Hardev Kaur, Manimangai Mani |
2016 |
8 |
Resurfacing Female Identity via Language in Adrienne Rich's Diving into the Wreck. |
Mediterranean Journal of Social Sciences, 6(6 S2), 245. Scopus |
Hassan, M. F., bin Talif, R., & Kaur, H. |
2015 |
9 |
RE-GENDERING DISCOURSE IN ADRIENNE RICH’S SNAPSHOTS OF A DAUGHTER-IN-LAW |
Malaysian Journal of Languages and Linguistics, 3(1), 67-77. |
Hassan, M. F., & Talif, R. |
2014 |
10 |
Women Icons in Anne Sexton's HER KIND |
Al- Ustath(202), 67-80. |
Hassan, M. F. |
2012 |
11 |
Man's States of Awareness in William Wordsworth's "Tintern Abbey". |
Al-Anbar University Journal For Humanities, 378-383, 14, 2008. |
Hassan, M. F. |
2008 |
12 |
Death Representation in Sylvia Plath's Selected Poems |
Journal of Tikrit University for the Humanities, 18, 4, 488-498. |
Hassan, M. F. |
2011 |
13 |
Cultural Paranoia in Amirie Baraka's Somebody Blew Up America |
Anbar University Journal for Humanities (Special Issue), (1), 2012, 458-467. |
Hassan, M. F. |
2012 |
14 |
Quest for an appropriate Voice in Adrienne Rich's Diving into the Wreck |
Journal of Al-Maaref University College, vol. 20, 2012, 349-371 |
Hassan, M. F. |
2012 |
15 |
Re-Writing the Feminine Myth in Adrienne Rich's I Dream I'm the Death of Orpheus
|
Journal of Al_Anbar University for Language and Literature 2021, Volume , Issue 33, Pages 341-355 |
Ruqaya Ibrahim Mohammed& Mohamad Fleih Hassan
|
2021 |
16 |
Re-Writing the Feminine Myth in Adrienne Rich's I Dream I'm the Death of Orpheus
|
Journal of Al_Anbar University for Language and Literature. 2021, Issue 33, Pages 341-355
|
Ruqaya Ibrahim Mohammed, & Mohamad Fleih Hassan
|
2021 |
17 |
An Ecofeminist Reading of Woman Vision in Elizabeth B. Browning’s A Dead Rose |
Journal of Al_Anbar University for Language and Literature. 2022 Issue, 36, pp: 564-583 |
Aliaa Abed Mohsen & Mohamad Fleih Hassan |
2022 |
18 |
Ecopsychological Reading of Paul Thwaites' Silent Spring |
Journal of Al_Anbar University for Language and Literature. 2022, Issue, 37 (p.1) pp: 598-608 |
Zaina Nuhad Jumaa & Mohamad Fleih Hassan |
2022 |
19 |
Postmodernist Techniques of the Reader's Engagement in Susan Howe's Hinge Picture |
Journal of the Iraqi University, 2022, issue, 57(1), pp. 710-720 |
Aisha Khalid Rasheed & Mohamad Fleih Hassan |
2022 |
20 |
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No. | Subjects | Lectures | Stage | File | Video |
1 | Literary Criticism & Theory | Literary Criticism & Theory | Fourth |
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