Shamam Ismail Otaiwie (Assistant Lecturer)
MSc in English literature
Lecturer
English - Arts
shamam.ismail@uoanbar.edu.iq
Full Name: Shamam Ismail Otaiwie Al-Kubaisie
Place of Birth: Al-Anbar – Ramadi
Current Residence: Ramadi – Iraq
Nationality: Iraqi
Academic Degree: M.A. in English Language and Literature – University of Anbar, College of Arts
Email: Shamam.ismail@uoanbar.edu.iq
Recentering-the-Indigenous-Perceptions-of-the-Wolf-Final
Romanticizing Bad Guys: A Psychological Analysis of Ryle in Colleen Hoover's It Ends with Us
The Cultural Politics of Renaming in Selected Native Canadian Poems
Master's Degree in English Literature from The University of Anbar-College of Arts-Department of English
اشراف على بحوث تخرج لطلبة البكلوريوس:
Sylvia Plath's Lady Lazarus as a Confessional Poem
The Byronic Hero in Gaston Leroux's The Phantom of the Opera
Use Of Mythology in Portrait Of The Artist As A Young Man
The Revival of Myths in Eliot's The Waste Land
Hedonism in Oscar Wilde: The Picture of Dorian Gray
The Urban Gothic of Charles Dickens: Bleak House
A Post-Colonial Reading of Joseph Conrad's Heart of Darkness
Transcendentalism in Whitman's poetry
Dysfunctional Family relations in D. H. Lawrence's sons and lovers
White Privilege as manifested in Langston Hughes, I, too
Dickens's A Tale of Two Cities as a Historical Novel
Islamophobia in Edmund Spenser's The Faerie Queene
A Feminist Reading of Virginia Woolf's Mrs Dalloway
Identity Crisis in Baraka's Dutchman
Procrastination in Waiting for Godot: A Psychological Perspective
A Critical Analysis of Gender and Power Dynamics in The Handmaid's Tale
The Intersectionality of Race and Gender in Maya Angelou's Selected Poems
اشراف على بحوث تخرج لطلبة البكلوريوس:
Sylvia Plath's Lady Lazarus as a Confessional Poem
The Byronic Hero in Gaston Leroux's The Phantom of the Opera
Use Of Mythology in Portrait Of The Artist As A Young Man
The Revival of Myths in Eliot's The Waste Land
Hedonism in Oscar Wilde: The Picture of Dorian Gray
The Urban Gothic of Charles Dickens: Bleak House
A Post-Colonial Reading of Joseph Conrad's Heart of Darkness
Transcendentalism in Whitman's poetry
Dysfunctional Family relations in D. H. Lawrence's sons and lovers
White Privilege as manifested in Langston Hughes, I, too
Dickens's A Tale of Two Cities as a Historical Novel
Islamophobia in Edmund Spenser's The Faerie Queene
A Feminist Reading of Virginia Woolf's Mrs Dalloway
Identity Crisis in Baraka's Dutchman
Procrastination in Waiting for Godot: A Psychological Perspective
A Critical Analysis of Gender and Power Dynamics in The Handmaid's Tale
The Intersectionality of Race and Gender in Maya Angelou's Selected Poems
Participated in the Second Joint International Scientific Conference for Humanities, held by Salahaddin University – Erbil, on April 17–18, 2024, under the slogan “Building the Individual for the Advancement of Society,” with a research paper titled:
“Romanticizing Bad Guys: A Psychological Analysis of Ryle in Colleen Hoover’s It Ends With Us.”
Presented a paper in the Fourth International Scientific Conference, held at the College of Humanities, University of Mosul, on April 24–25, 2024, titled:
“Linguistic Rebellion: Re-Signifying Standard English in LeRoi Jones’ Black Dada Nihilismus.”
Participated as a speaker in a scholarly seminar titled:
“Defamiliarization as a Poetic Technique,”
held within the framework of academic cooperation between Al-Maarif University College and the University of Anbar – College of Arts.
Speakers included: Dr. Marwan Khalil Yousif – Al-Maarif University College, Department of English, M.A. Shamam Ismail Atiwi – University of Anbar, College of Arts, Department of English, M.A. Alia Abdul-Muhsin – University of Anbar, Department of Scholarships and Cultural Relations – Presidency of the University